Good Kid Maad City Lyrics
Posted By admin On 10.11.18
Kendrick Lamar Good Kid Maad City Zippyshare
Lyrics to 'm.A.A.d city' by Kendrick Lamar. If Pirus and Crips all got along / They'd probably gun me down by the end of this song / Seem like the whole city go. Swimming Pools (Drank) Lyrics: 2. Bitch, Don’t Kill My Vibe Lyrics: 3. Bitch, Don't Kill My Vibe Lyrics: 4. Bitch, Don't Kill My Vibe Lyrics: 5. Backseat Freestyle Lyrics: 6. Swimming Pools (Drank) - Extended Version Lyrics: 7. Sing About Me, I’m Dying of Thirst Lyrics: 8. Sherane a.k.a. Master Splinter’s Daughter Lyrics: 9. Good kid Lyrics: 10. Lyrics to m.A.A.d city by Kendrick Lamar in the Good Kid, M.A.A.D City (2012) album. [Intro] If Pirus and Crips all got along They'd probably gun me down b. Good Kid, M.A.A.D City (stylized as good kid, m.A.A.d city) is the second studio album by American hip hop recording artist Kendrick Lamar. The album was released on October 22, 2012, by Top Dawg Entertainment, Aftermath Entertainment, and distributed by Interscope Records.
Track 8 off the 2012 album Good Kid, m.A.A.d City Music: Lyrics: Kendrick Lamar’s 2012 debut, good kid, m.A.A.d city is a study in the interaction between environment, music, and self, and how each influences the others. It is an examination of the human condition of profound depth and sophistication and thoroughly worth the hour necessary to listen to it.
It will one day be considered a classic of the genre, as well as the dawn of a new age of hip hop driven by the revitalization of lyricism and, more generally, the west coast. Limited to the discussion of a single song, it is best to examine the eye of the hurricane where this identity crisis is most succinctly and effectively revealed: Kendrick’s final verse on the title track. In the final verse, the floor drops out from under the beat that drives the first four minutes of the song, and chaos is unleashed.
Lacking this drum backing, Kendrick appears to abandon the conventional structure of the rap verse completely, going on a near stream of consciousness rampage about the influence of Compton gang violence on his adolescence. With a thorough understanding of the nature of his environment, he reveals to his audience that, in some respects, he is optimistic about the future: “Would you say my intelligence now is great relief? // And it’s safe to say that our next generation maybe can sleep // With dreams of being a lawyer or doctor // Instead of a boy with a chopper that hold the cul-de-sac hostage.” At once, doubt sets in: his surroundings have corrupted him to the extent that it may not be possible for him to escape: “If I told you I killed a nigga at 16, would you believe me? // Or see me to be innocent Kendrick you seen in the street // With a basketball and some Now & Laters to eat // If I mentioned all of my skeletons, would you jump in the seat?” Thus, the final verse succinctly produces a coherent juxtaposition: your environment is equally likely to force you to mature or consume you entirely. Kendrick’s delivery of the final verse plays an equally important role in imbuing it with meaning. Oscillating between a low-pitched rumble and a near-hysterical whisper, Kendrick uses his voice to illustrate the conflict intrinsic to growing up as a socially conscious individual in Compton. The brilliance of this verse lies in this juxtaposition.
Kendrick uses the verse to construct two parallel and diametrically opposed identities, each as likely to be realized as the other. He stands before the listener both a killer and a successful, reformed man, producing tension by refusing to reveal the path he has taken. Then, in the final two bars, the meaning of the album title’s acronym is delineated, and with it, Kendrick’s thesis on identity: “I live inside the belly of the rough // Compton, U.S.A. Made Me an Angel on Angel Dust, what.” With this revelation is produced a final double entendre.
Kendrick concludes that he is the “angel on angel dust.” Thus, he reveals is just as uncertain about his future as his audience. He is either one of the chosen few aware enough to transcend his environment, or the sacrificial lamb ascending to heaven for the sins of Compton. It is only right, then, that the song ends with an incomplete phrase. Balochi mp3 songs.
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